Showing posts with label Russian cinema. Show all posts
Showing posts with label Russian cinema. Show all posts

Monday, October 23, 2017

Retrospective of Andrei Tarkovsky at TIFF Bell Lightbox, November 9-30

TIFF: The Poetry of Apocalypse: The Films of Andrei Tarkovsky, screenshot
Screenshot: TIFF Calendar: The Poetry of Apocalypse: The Films of Andrei Tarkovsky
November 9-30, 2017 at the TIFF Bell Lightbox

This TIFF’s fall lineup includes a retrospective of Andrei Tarkovsky (1932-1986) films.

The Poetry of Apocalypse:
The Films of Andrei Tarkovsky


The first Toronto retrospective in 15 years devoted to the greatest postwar Soviet filmmaker, whose stark yet sumptuous, elemental yet metaphysical masterpieces placed him amongst the “poet geniuses” of the cinema.

When: November 9-30, 2017
Where: TIFF Bell Lightbox
Address: 350 King Street W, Toronto, ON M5V 3X5


From November 9 to November 30, The Poetry of Apocalypse: The Films of Andrei Tarkovsky highlights the work widely regarded as the greatest of the postwar Soviet era. Tarkovsky’s films are stark and elemental, while also remaining incredibly sleek and stylish (see: his signature tracking shots and pitch-perfect sound design).

TIFF will show the first retrospective of the filmmaker’s work in 15 years with two digital restorations of his sci-fi work Stalker (1979) and Solaris (1972).

This series also includes such masterpieces as The Mirror (1974) and his first feature Ivan’s Childhood (1962).

Also, on November 14, TIFF invites public for a screening of Tarkovsky’s mesmerizing sci-fi epic Stalker, preceded by a talk by Robert Bird, Associate Professor at the University of Chicago.

More info: Toronto International Film Festival: The Poetry of Apocalypse: The Films of Andrei Tarkovsky

Tuesday, October 28, 2014

2014 Russian Film Festival in Canada: Toronto, November 5-9

Toronto Russian Film Festival, November 5-9, 2014
Poster: The Russian Film Festival in Canada 
Toronto, November 5-9, 2014 
Credit: Toronto Russian Film Festival

Russian Film Festival in Canada
November 5-9, 2014
Venues: Isabel Bader Theatre, Theatre D Digital, TIFF Bell Lightbox

This year the Festival celebrates its 5th anniversary. And this time around the Russian partner of the Festival is a production company known as “Horosho Production.”

The program offers 8 full-length films, 4 shorts, two documentaries and 4 animated films – 18 screenings in all. In addition to the screenings, the program provides 7 informational programs: press conferences, round table discussions, master classes on directing, documentaries and casting. The organizers are planning a round-table discussion on co-production and pitching international projects.

Informational Programs Schedule
Russian Film Festival in Canada 
Toronto, November 5-9, 2014
Credit: Toronto Russian Film Festival

All films will be shown in Russian with English subtitles. All the films in the program have been made since 2013 and many of them have received awards at other film festivals.

There are no competitions at the Russian Film Festival but there is an Audience Award. After each screening there will be a Q&A with the creators of the film.

This year’s program has many references to classical and modern literature. The Festival opens with the North American premiere of the film Two Women (2014) directed by Vera Glagoleva, based on the play by Ivan Turgenev, “A Month in the Countryside.” The renowned British actor Ralph Fiennes plays one of the main parts in the film.

The film Mirrors (2013) directed by Marina Migunova is dedicated to the famous Russian poet Marina Tsvetaeva.

The Brothers Ch (2014) directed by Michail Ugarov shows a day in the life of the great Russian writer Anton Chekhov and his brothers.

A special place in the program is occupied by a screen adaptation of the story White Yagel (2014) by Anna Nerkagi. This film, made by the director Vladimir Tumaev, tells us about the lives of peoples living in the Arctic regions, which is very unusual and full of mysteries. This film won the Audience Award at the 36th Moscow International Film Festival in 2014.

The film The Grandfather of My Dreams (2014) directed by Aleksandr Strizhenov belongs to the genre of grotesque family comedy and raises the eternal question about how much we depend on the material well-being which suddenly comes out of nowhere.

There Will Be No Winter (2014) is a film made in the genre of fantasy by director Ilya Demichev. It boasts an all-star cast: Ksenia Rappoport, Ingeborga Dapkunaite, Aleksandr Samoylenko and Sergey Koltakov.

The drama about a girl from an orphanage who grew up to become a model will close the Festival. Nine Days and One Morning (2014) was directed by Vera Storozheva, the famous film and television personality who was awarded at TEFI and at many other Russian and international festivals. Before the screening of this film the viewers are invited to an honorary session with the renowned Moldavian-Russian actress Svetlana Toma.

The festival will have a children’s day when little viewers will see the full-length animated fairy tale Ivan Tsarevitch and Grey Wolf-2 (2013) directed by Vladimir Toropchin and a full-length feature film The Mystery of Four Princesses (2014) by Oleg Shtrom.

The documentary program has two films in different genres. The film A Diary of a Drug Addict (2013) by Svetlana Stasenko is a social drama, and the film Voices. An Aria for the Fog (2014) by Elizaveta Shmakova is a portrait of a legendary opera diva. The documentary program will be concluded by a master-class on documentaries led by Svetlana Stasenko.

The short film program lists different films made by young directors. The film Unintentionally (2014) was made by Zhora Kryzhovnikov. His recent comedy Bitter! (2013) became one of the most successful films of the year. The short film Inspection (2014) made by Gala Suhanova tells a story of a dysfunctional family with children. The film Tonya is Crying on the Bridge of Lovers (2014) by Anton Kolomeets is about the generation of thirty-something year old and the passage of time; and in the film Shredder (2014) by Michael Dovzhenko we witness a highly unusual (but based on a true story) situation when the audience is asked to vote on killing a work of art.

Animated shorts from the Shar (The Ball) studio-school will be shown before full-length films.

Among the Russian delegation of cinematographers there are famous directors and actors such as Vera Glagoleva, Svetlana Toma, Aleksandr Strizhenov, Vera Storozheva, Marina Migunova and others; 14 people in total.

Program of Russian Film Festival in Canada
Toronto, November 5-9, 2014

Festival Venues:
Isabel Bader Theatre, 93 Charles Street West, Toronto, ON M5S 2C7
(416) 585-4498
Theatre D Digital, 551 Mount Pleasant Road, Toronto, ON M4S 2M5
(416) 466-440
TIFF Bell Lightbox, 350 King Street West, Toronto, ON M5V 3X5
416-599-TIFF(8433)

Tickets:
All tickets are free of charge. There is a $5 processing fee when you order tickets on the web site or pick them up at the entrance. It is advisable to register on the web site or by phone. The number of places is limited.

Information about program and tickets: www.torontorussianfilmfestival.ca

Or by phone: 647-466-3555

About the Russian Film Festival in Canada
The Russian Film Festival in Canada was founded by the TRFF (The Toronto Russian Film Festival) in 2009 which strives to popularize Russian cinema and increase the cooperation between the Canadian and Russian film industries. During the five years of its existence the Festival has acquired many admirers and viewers. Overall, about two hundred films of different genres and artistic directions have been shown during its annual screenings. The Festival has become a popular and anticipated event both in the Russian community as well as among English-speaking film-goers and film industry professionals.

In 2011 the TRFF started partnering up with Russian organizations. The Festival’s status then changed. Support from the Ministry of Culture of the Russian Federation now made it possible to organize the Festival at a very high level, to invite large delegations from Russia and to present the audience with the very latest films.

Contact:
Toronto Russian Film Festival
web: www.torontorussianfilmfestival.ca
email: info@torontorussianfilmfestival.ca
phone: 647-868-3436
 

You can also find information on the 5th Russian Film Festival in Canada Event page on Facebook
Hosted by Alena Joukova

Published by TRFF


Saturday, June 02, 2012

Toronto Russian Film Festival: June 7-12

Flyer: Toronto Russian Film Festival, June 7-12, 2012, flyer Festival of Russian Cinema in Canada
Flyer: Toronto Russian Film Festival
7–12 June, 2012
Credit: www.torontorussianfilmfestival.ca

Toronto Russian Film Festival and "Evrofilm"
with the support of
The Ministry of Culture of the Russian Federation and Scotiabank
present

Festival of Russian Cinema in Canada

June 7-12, 2012

www.torontorussianfilmfestival.ca


TRFF 2012 Schedule
all films ( except for Pestrye Sumerki) have English subtitles

Thursday, June 07, 7pm
Opening Gala Reception and Bedouin, Guest: Igor Voloshin
Town Hall, Innis College

Friday, June 08, 7pm
Boris Godunov, Guests: Agniya Ditkovskite and Tatyana Lutaeva
Town Hall, Innis College

Saturday, June 09, 1pm
Ivanov
Town Hall, Innis College

Saturday, June 09, 4:30pm
Once Upon A Time There Was a Woman, Guest: Darya Ekamasova
Town Hall, Innis College

Saturday, June 09, 8pm
Siberia Monamour, Guest: Slava Ross
Town Hall, Innis College

Sunday, June 10, 12pm
Smeshariki (animation series), 1 parent + 1 child
ROM Theater

Sunday, June 10, 12pm
Smeshariki (animation series), Guests: clowns, magicians
ROM Theater

Sunday, June 10, 2:30pm
Pestrye Sumerki (3h), Guests: Sergey Senin, Aslan Ahmadov
ROM Theater

Sunday, June 10, 5pm
Left and Didn't Come Back, Guests: director Valery Pendrakovsky
Town Hall, Innis College

Sunday, June 10, 7pm
Suicides, guest: Irina Pavlova
Town Hall, Innis College

Sunday, June 10, 9pm
Following You, Guest: Irina Pavlova
Town Hall, Innis College

Monday, June 11, 7pm
Documentaries and short films program "Russian Canadian"
Town Hall, Innis College

Monday, June 11, 9pm
My Dad, Baryshnikov, Guest: Irina Pavlova
Town Hall, Innis College

Tuesday, June 12
Cultural entertainment program foe the festival guests

Tickets:
www.torontorussianfilmfestival.com
www.russiantix.com
www.torontotovka.com
in Russian stores
by tel: 416-565-5977

Dairy of a Festival on-line www.youtube.com/bronnmedia
sponsor Viktoria Klitovchenko, City Dental

links:
ruvr.ru: Toronto russian film festival underway in Canada
No contests will be organized and no prizes will be given. This will be simply a festival of Russian culture.
by Rita Bolotskaya

blogto.com: 5 films to watch at the Toronto Russian Film Festival
Here are five films to check out at the fest. BORIS GODUNOV + ZHYLA-BILA ODNA BABA (Once Upon a Time There Lived a Woman) + SIBERIA MONAMOUR + MOTTLED TWILIGHT + MY FATHER, BARYSHNIKOV
by Brianne Hogan

russianfilm.blogspot.ca: Toronto russian film festival underway in Canada
The best Russian films of the previous year are included in the programme of the Toronto Russian Film Festival (June 7th to 12th ). Besides, the Canadian filmgoers will have a chance to meet with the actors, film directors and producers - in brief, with all those who represent the modern cinema of Russia.
by Zdenka Pregelj

Wednesday, March 28, 2012

Award-Winning Film, The Tundra Book at Toronto's Hot Docs

Screenshot: The Tundra Book. A Tale of Vukvukai, the Little Rock. by Aleksei Vakhrushev, High Latitudes ltd., 2011
A co-presentation of KinoArt Festival and Hot Docs
Canadian International Documentary Festival, April 26 - May 6, 2012, Toronto
Credit: hotdocs.ca + highlatitudes.ru + kinoartfestival.com

Please mark your calendars and get ready for the best showcase of documentary films in Toronto this year! Hot Docs Canadian International Documentary Festival, North America’s largest documentary festival, conference and market, returns for its 19th annual edition from April 26 to May 6, 2012. Showcasing the best in Canadian and international documentary, Hot Docs will welcome filmmakers, industry delegates and audiences to Toronto for the 11-day event. This year’s Festival will screen 189 amazing docs from 51 countries.

World Showcase: Canadian Premiere

The Tundra Book: A Tale of Vukvukai, the Little Rock
A stunning documentary about the lives of the seldom-seen Chukchi people.

Director: Aleksei Vakhrushev
Producers: Aleksei Vakhrushev, Olga Savelyeva
Cinematographer: Vyacheslav Makaryev
Editor: Julia Trofimenko
Official Website: Film Studio "High Latitudes Ltd"
Russia, 2011, 105 min
Language: Chukchi Russian with English subtitles

Stunning photography and sensitive direction captures the fascinating culture of Indigenous reindeer herders and their struggle for survival in Russia's Arctic Circle, one of the harshest, and most beautiful, environments in the world.

Director's Biography
Alexey Vakhrushev was born in 1969 in Anadyr' (Chukotka). In 1996 graduated from VGIK (Institute of Cinematography). Since 2000 is a director and scriptwright at the TV Company "Ethno-Online". Member of the Russian Cinematographers' Union.
Selected filmography: 1996 Birds of Naukan, 2001 Island, 2003 Treasure of Semen Dezhnev, 2004 Walrus Fang Chronicle, 2005 Hunters of Freezing Coasts, 2005–2007 People of the Bering Strait; Chuvan Treasure; Bone Coast of the North; Mist Travellers; Heirs of Taymyr Shamans; Images of Time, 2005–2008 Miracle Factory; Welcome to Enurmino!

Screenings:
Sunday, Apr 29, 6:00 PM
TIFF Bell Lightbox 4

Tuesday, May 1, 1:00 PM
TIFF Bell Lightbox 4

It’s noon and -37C on Chukotka peninsula. A blistering wind slices across the tundra. In the magnificent landscape of Russia’s Arctic Circle, just across the Bering Strait from Alaska, 72-year-old patriarch Vukvukai leads his Indigenous Chukchi family in caring for their herd of 14,000 reindeer. Living in isolation except for their wind-up two-way radio and occasional visits from traders in tank-like snow vehicles, the family depends on their reindeer for food, shelter and clothing. Through the seasons, unflagging Vukvukai alternates between chuckling and barking orders at his sons and grandchildren, instilling in them the practical knowledge and spiritual traditions that have allowed the Chuckchi to survive for thousands of years in one of the harshest environments in the world. Subtly directed by Aleksei Vakrushev, an award-winning Inuk filmmaker from Chukotka, The Tundra Book provides a rare and stunning glimpse into a world still intertwined with the oldest rhythms of life.
Gisèle Gordon
Subjects : Eastern European & Russian Cultures Issues, Indigenous Cultures & Issues, Animals
Hot Docs Trailer: THE TUNDRA BOOK. A TALE OF VUKVUKAI, THE LITTLE ROCK.
Co-presented with KinoArt Festival.

2012 Hot Docs Tickets
Individual tickets to Hot Docs 2012 are $14.50. Tickets to all Late-night screenings (screenings after 11 pm) are $5.
Tickets can be purchased online here.

Courtesy of Scotiabank Students (with valid ID) and seniors (60+) can attend daytime screenings (screenings before 6 pm) for free. Same-day tickets are available at the participating venue one hour before the first screening of the day, subject to availability.

To view the full 2012 Hot Docs schedule and list of films, click here.

HOT DOCS MEDIA KIT 2012http://www.blogger.com/img/blank.gif

Enjoy and mark your calendar now for Hot Docs' showcase of global stories. See you there!



youtube.com: "The Tundra Book" Trailer
Uploaded by HighLatitudesLTD on Jan 16, 2012

"The Tundra Book. A Tale of Vukvukai, the Little Rock"
Feature Length Documentary by Aleksei Vakhrushev (2011, Russia, 105 min)

72 years have passed as deer herder Vukvukai lives in the depths of Chukotka. He is an old man full of energy and wisdom -- The Real Man of Tundra whose life can not be seen apart from the deer.
His people take care of a huge herd -- over 14,000 deer. Their life is a non-stop struggle for survival and well-being in the most harsh weather conditions of Chaun-Chukotka. They deeply believe in the strength of tradition and so succeed in their struggle. The ancient culture of Nomadic Chukchi takes care of them, so they preserve and follow it. As far as it is now -- their realm remains stable. This is the Truth of Vukvukai.

Produced by High Latitudes ltd. (2011) with financial support of
Nonprofit organization "Social development foundation "KUPOL"
The Russian Ministry of Culture
All Roads Film Project (National Geographic Society)
Credit: HighLatitudesLTD


hotdocs e-bulletin: Box Office Update: More Films Going Rush

Hot Docs Box Office Update: More Films Going Rush: MARLEY, CHASING ICE and THE TUNDRA BOOK. A TALE OF VUKVUKAI, THE LITTLE ROCK., Screenshot
Screenshot: hotdocs e-bulletin:
Box Office Update: Three More Films Go Rush
Credit: Hot Docs | Daily : E-bulletin

Tickets are going fast, and many screenings have already gone rush, including MARLEY, CHASING ICE and THE TUNDRA BOOK. A TALE OF VUKVUKAI, THE LITTLE ROCK.

Don't wait to get your tickets and passes.

Purchases can be made online, by phone at 416.637.5150, or in person at the documentary Box Office located at 783 Bathurst Street, Toronto.

Sunday, November 27, 2011

The 10 Films That Made The Biggest Impact At The 2011 Film Festivals | Special-feature | subtitledonline.com



youtube.com: "Faust" Trailer
Uploaded by RussiaNowTV on Aug 30, 2011 Video Statistics 74,459

Faust is an upcoming Russian film directed by Alexander Sokurov.
read more at : http://rbth.ru/13386
link to rbth.ru: Sokurov reminds Venice about the deal with the devil
by Galina Masterova


I am so glad that Faust is on the list of 10 movies making the biggest impact at 2011 film festivals.
Faust (Russia)

Based on the Faust legend and its literary adaptations, Aleksandr Sokurov’s latest version of the man who sells his soul to the devil in exchange for his knowledge has received much acclaim worldwide.

This Russian production (although the dialogue is in German) was nominated for Best Film at the London Film Festival. However, it was in Venice where this picture was most well-received.

Considered to be one of the top three most important and revered film festivals alongside Berlin and Cannes, the jury at Venice awarded Sokurov’s feature with its grandest prize – the Golden Lion for best film.
Stefan Pape

Here is the whole list:
  • Once Upon A Time In Anatolia (Turkey)
  • We Have A Pope (Italy)
  • Michael (Austria)
  • The Artist (France)
  • This Must Be The Place (Italy)
  • A Separation (Iran)
  • Faust (Russia)
  • Las Acacias (Argentina)
  • Snowtown (Australia)
  • The Kid With A Bike (Belgium)

Please read the article:
The 10 Films That Made The Biggest Impact At The 2011 Film Festivals | Special-feature | subtitledonline.com

Saturday, November 26, 2011

My Perestroika Opens in Toronto at the Royal December 2

My Perestroika by Robin Hessman Opens in Toronto at the Royal Cinema on December 2, 2011, screenshot
Screenshot: My Perestroika by Robin Hessman
88 min. 2010 Russian Federation / United Kingdom / United States

Coming Soon @ The Royal Cinema
608 College St. West, Toronto
Credit: theroyal.to

My Perestroika Showtimes:
Friday, December 2 at 7 pm
Sunday, December 4 at 9:30 pm
Monday, December 5 at 7 pm
Tuesday, December 6 at 7 pm
Thursday, December 8 at 9:30 pm
The Royal @ 608 College St. West

KINOSMITH presents

My Perestroika

A feature documentary by
Robin Hessman

Opens in Toronto on Friday, December 2, 2011

After winning awards and critical acclaim at festivals and theatrical engagements in over 80 U.S. markets, Robin Hessman’s “My Perestroika” opens in Canada beginning in Toronto on Friday, December 2, 2011.

When the USSR broke apart in 1991, a generation of young people faced a new realm of possibilities. An intimate epic about the extraordinary lives of this last Soviet generation, Robin Hessman’s feature documentary debut tells the stories of five Moscow schoolmates who were brought up behind the Iron Curtain, witnessed the joy and confusion of glasnost, and reached adulthood right as the world changed around them. Through candid first-person testimony, revealing verité footage, and vintage home movies, Hessman, who spent many years living in Moscow, reveals a Russia rarely ever seen on film, where people are frank about their lives and forthcoming about their country. Engaging, funny, and positively inspiring, in My Perestroika politics is personal, honesty overshadows ideology, and history progresses one day, one life at a time.

At the center of the film is the Meyerson family.

Borya and Lyuba are married and have a son, Mark. They are both history teachers at Moscow’s School #57. As we are drawn into the fabric of their everyday lives, we hear stories of two very different Soviet childhoods: Lyuba was a conformist who would salute the TV when the Soviet hymn played, while Borya preferred to subvert the system whenever possible.

Their childhood classmates provide their own perspectives.

For more information: http://myperestroika.com

Media Contact:
V Kelly & Associates
Virginia Kelly, Meghan Parnell
info@vkpr.ca
416-466-9799

My Perestroika - 2011 Trailer

youtube.com: My Perestroika - 2011 Trailer
by newdayfilms on Feb 28, 2011 / Stats: 41,802



links:
artjunction.blog: The Canadian Premiere of "My Perestroika" at Hot Docs 2010

facebook.com: RUSSIAN TORONTO PARTIES: The Royal ~ MY PERESTROIKA
Hello Russian Canadians, the fascinating and critically acclaimed documentary film "My Perestroika" is coming to Toronto!! It will be playing at the Royal from Dec 2- 9th!
by Anya Talis

docspace.ca: Award Winning documentary MY PERESTROIKA opens Friday, December 2
by Eamonn

tandemnews.com: Hessman’s My Perestroika in Canada
Award-winning documentary tells story of five Moscow schoolmates brought up behind the Iron Curtain

Examiner.com:
Toronto independent film: Film review: My Perestroika -
by David Voigt, Toronto Independent Film Examiner

My Perestroika Opens in Toronto at the Royal December 2: Screenshot: My Perestroika by Robin Hessman88 min. 2010... bit.ly/rXkHFR
@High_Park_Web

From generation Nyet to Net Generation: My Perestroika opens @TheRoyalCinema #tonight Dec 2 for a short run in #Toronto shar.es/olEtP
@artjunctionto

Monday, May 10, 2010

Press Release: Toronto Russian Film Festival (TRFF)

Photo: Toronto Russian Film Festival Posters, May 13 - 16, 2010, by artjunction.blogspot.comPhoto: Toronto Russian Film Festival Posters
2010 @ artjunction.blogspot.com

MEDIA INFORMATION - FOR IMMEDIATE RELEASE

Toronto Russian Film Festival Gives Canadians
A Glimpse Into Post-Soviet Cinema



(May 4, 2010 - Toronto, Canada) - Canadians get a peek into post-Soviet cinema during the Toronto Russian Film Festival (TRFF) from May 14 to 16, 2010. Marking its inaugural year, TRFF announces an exciting line-up of 11 Russian and Russian-language feature films, animation works and documentaries including the acclaimed One War and Palata N6 (Ward N6). The festival also celebrates the two Canadian-Russian documentary films - Prokofiev: The Unfinished Diary directed by Yosif Feyginberg and David New's Betrayal.

With screenings at various locations in Toronto including the Royal Ontario Museum (ROM), University of Toronto's Innis Town Hall and Bernard Betel Centre in North York, tickets are available from $7 to $22. Regular tickets can be purchased at www.torontorussianfilmfestival.com. Group, student and senior discounts are available by contacting info@torontorussianfilmfestival.ca

TRFF opens with the North American premiere of the Russian-Polish co-production of Just Not Now dedicated to the Polish victims of the recent plan crash tragedy. The adaptation of a wartime romance by one of the most celebrated Soviet writer-dissident, Vladimir Voinovich, will be a charitable screening held at the John Paul II Polish Cultural Centre in Mississauga, Ontario on May 14, at 8 p.m.

During the three-day Festival, TRFF welcomes a slate of Russian A-listers including: directors Vera Glagoleva and Valery Pendrakovsky; Soviet and post-Soviet cinematic icons Irina Kupchenko, Alexei Petrenko, Svetlana Kryuchkova and Alexander Baluev; and acclaimed Russian writer, screenwriter and producer, Eduard Topol.

The following is a complete list of TRFF's screenings and special events:

FEATURE FILM SCREENINGS

JUST NOT NOW*
(North American Premiere)
2010; 84 min; Russia & Poland; Drama; Directed by Valery Pendrakovsky
An adaptation of Vladimir Voinovich's short story, The Smell of Chocolate. Taking place in Poland in 1953, this film tells the love story of a Polish girl and a Russian soldier. Starring Alexander Domogarov - Junior, Vyacheslav Shalevich, Daniel Olbrychski and Magdalena Lamparskaya and produced by Valery Pendrakovskiy and Petr Skulski.
Note: This screening is in honour of the Polish victims of the recent plane crash tragedy.

Friday, May 14 at 8 p.m.; John Paul II Polish Cultural Centre, 4300 Cawthra Road, Mississauga, ON

BURY ME BEHIND THE BASEBOARD* (POHORONITE MENYA ZA PLINTUSOM)
(North American Premiere)
2009; 111 min; Russia; Social Drama; Directed by Sergei Snezhkin
Based on an autobiographical novel by Pavel Sanaev, the film follows the story of a boy who comes from a conflicted family and is forced to maneuver within the complex relationships between his grandparents, his mother and her lover, and all of them together. Starring Alexei Petrenko, Svetlana Kryuchkova, Maria Shukshina, Konstantin Vorobyov and Alexander Drobitko and produced by Michael Litvak and Leonid Litvak.

Saturday, May 15 at 11:30 a.m.; Innis Town Hall, 2 Sussex Avenue, Toronto ON

THE MAN WHO KNEW EVERYTHING*
(North American Premiere)
2009; 107 min; Russia; Erotic Thriller; Directed by Vladimir Mirzoev
Based on the novel by Igor Sakhnovsky, the winner of the prestigious literary awards "Big Book" and "Russian Booker" (2007). After attempting suicide, Alexander suddenly acquires the phenomenal ability to get an instant answer to any question. A modest and inoffensive person, suddenly everyone is after him - including women, mafia mobsters, and the international security forces. Some want to make use of his abilities, others to destroy him. But Alexander continues to live according to the laws of his own conscience. Starring Yegor Beroev, Ekaterina Guseva, Maxim Sukhanov and Andrew Tashkov and produced by Timur Weinstein and Oleg Osipov.

Saturday, May 15 at 7 p.m.; Royal Ontario Museum, 100 Queen's Park, Toronto ON

ON THE BRINK I STAND* (NA KRAJU STOJU)
(North American Premiere)
2008; 87 min; Russia; Thriller; Directed by Rauf Kubaev
A frontier guard Andrey discovers tanks where drug dealers hide huge parties of heroin while crossing the Afghani border. In revenge for their colossal losses, gangsters decide to execute Andrey. Having avoided death by miracle, he not only gets even with his executioners, but also wins his love back. Starring Arthur Smolijaninov, Svetlana Ustinova, Ravshana Kurkova with Eduard Topol as producer and screenwriter.

Saturday, May 15 at 10 p.m.; Royal Ontario Museum, 100 Queen's Park, Toronto, ON

WARD No. 6
* (PALATA No. 6)
(Toronto Russian Film Festival Premiere)
2009; 83 min; Russia; Drama; Directed by Karen Shakhnazarov & Alexandre Gornovsky
Based on a novel by A.P Chekhov, the head doctor of the provincial mental hospital deems one of his patients to be a man with an original way of thinking and his own philosophy. Through the conversations with this patient, the doctor realizes the madness of the world and soon becomes crazy too. But who decides what the line between sanity and insanity is? Starring Vladimir Iljin, Alexander Pankratov-Cherniy, Yevgeny Stychkin and Aleksei Vertkov and produced by Karen Shakhnazarov.

Saturday, May 15 at 6 p.m.; Innis Town Hall, 2 Sussex Avenue, Toronto ON

THE MAN WHO KNEW EVERYTHING*
(North American Premiere)
2009; 107 min; Russia; Erotic Thriller; Directed by Vladimir Mirzoev
Based on the novel by Igor Sakhnovsky, the winner of the prestigious literary awards "Big Book" and "Russian Booker" (2007). After attempting suicide, Alexander suddenly acquires the phenomenal ability to get an instant answer to any question. A modest and inoffensive person, suddenly everyone is after him - including women, mafia mobsters, and the international security forces. Some want to make use of his abilities, others to destroy him. But Alexander continues to live according to the laws of his own conscience. Starring Yegor Beroev, Ekaterina Guseva, Maxim Sukhanov and Andrew Tashkov and produced by Timur Weinstein and Oleg Osipov.

Sunday, May 16 at 2:30 p.m.; Innis Town Hall, 2 Sussex Avenue, Toronto ON

JUST NOT NOW*
(North American Premiere)
2010; 84 min; Russia & Poland; Drama; Directed by Valery Pendrakovsky
An adaptation of Vladimir Voinovich's short story, The smell of chocolate. Taking place in Poland in 1953, this film tells the love story of a Polish girl and a Russian soldier. Starring Alexander Domogarov - Junior, Vyacheslav Shalevich, Daniel Olbrychski and Magdalena Lamparskaya and produced by Valery Pendrakovskiy, Petr Skulski.

Sunday, May 16 at 5:30 p.m.; Innis Town Hall, 2 Sussex Avenue, Toronto ON

ONE WAR*
(North American Premiere)
2009; 85 min; Russia; Drama; Directed by Vera Glagoleva
Based on real events in May 1945 during the Second World War, the film sheds light on an island for female prisoners and the children they bore to the Nazi occupants. The women live with the hope of liberation and forgiveness, but reality turns out differently. Starring Alexander Baluev, Natalia Surkova, Anna Nahapetova, Fyodor Koposov, and Julia Melnikova and produced by Vera Glagoleva and Natalia Ivanova.

Sunday, May 16 at 7:40 p.m.; Innis Town Hall, 2 Sussex Avenue, Toronto ON

ALEUSHKA'S AND YERYOMA'S ADVENTURES
(North American Premiere)
2008; 85 min; Russia; 3D Animation; Directed by George Gitis
This 3D animated film is a musical fairy tale with a twist in which Russian national motives are interconnected with the present. Alenushka and Yeryoma live in the fantasy country and they love each other, but magical apples that Alenushka happens to receive as a gift interferes with their happiness. The artful Shah and Knight want to kidnap Alenushka, but love, as always, wins over the most terrible sorcery. Produced by Armen Manasarjan and Gevorg Nersisyan.
*Presented in Russian language only, this film does not have subtitles

Sunday, May 16 at 12 p.m.; Bernard Betel Centre, 1003 Steeles Avenue West, Toronto ON

A COUPLE OF BAY HORSES (PARA GNEDYH)
(North American Premiere)
2010; 96 min; Russian; Drama; Directed by Sergei Krutin
A granddaughter comes to visit her grandmother for the summer. They are very different and have not seen each other for a long time. The grandmother is old-fashioned and strict, and the granddaughter is a modern, independent young woman. It is hard for them to be together, but suddenly they are brought close by the eternal theme - the relationship of men and women and how to behave in order not to be left with a broken heart and broken life. Starring Irina Kupchenko, Agniya Kuznetsova, Mikhail Zhigalov and Jaroslav Zhalnin and produced by Alexander Bokovikov and Sergey Sendyk.

Sunday, May 16 at 2:30 p.m.; Bernard Betel Centre, 1003 Steeles Avenue West, Toronto ON

DOCUMENTARY SCREENINGS

The following documentaries are by Russian-Canadian filmmakers.

VLADIMIR NABOKOV. RUSSIAN ROOTS.*
(North American Premiere)
2010; 26 min; Russia I Documentary; Directed by Olga Chekalina
The film dedicated to the Russian period of the life of the great writer Vladimir Nabokov. Central to this film is an interview with his son Dmitri Vladimirivich which refers to the last unpublished novel of V. Nabokov "Original Laura". Produced by Olga Popova and executive produced by Natalia Semina.

Saturday, May 15 at 2:15 p.m.; Innis Town Hall, 2 Sussex Avenue, Toronto ON

PROKOFIEV: THE UNFINISHED DIARY
*
(Toronto Russian Film Festival Premiere)
2008; 52 min; Canada & France; Documentary; Directed by Yosif Feyginberg
Based on the published Prokofiev's Diary, the film reveals the largely untold story of the composer's 18 pivotal years between 1918 and1936 outside Russia. It exposes the raw drama, pathos, and emotional upheaval of an itinerant artist who wanders from Russia to the U.S, to Europe, and then shockingly returns to Russia. The film investigates Prokofiev's life and art through his own words, and examines the complex interaction between the works of this period, and the bewildering choices Prokofiev made at this time. Produced by Barbara Barde, Paul Saadoun, Yosif Feyginberg and co-executive produced by Natalia Semina.

Saturday, May 15 at 3:40 p.m.; Innis Town Hall, 2 Sussex Avenue, Toronto ON

BETRAYAL*
(Toronto Russian Film Festival Premiere)
2004; 52 min; Canada; Documentary; Directed by David New
He was a linguist, a brilliant academic, and a master spy. She was a seductive blonde beauty, dressed in minks and diamonds. Karl Koecher is the only known intelligence agent from the Soviet Bloc who succeeded in penetrating the CIA. He and his wife Hana spent 20 years leading a double life as "sleepers", Soviet moles building up a carefully designed identity. But it seems they led another secret life - as swingers, trading partners and attendees of orgies in the swing clubs of Washington D.C. and New York City. They may well have collected deeper secrets still from members of the American military who shared their beds. Betrayal features exclusive interviews with Karl and Hana Koecher; Vladimir Kruchkov, the former head of the KGB; and Alexander Sokolov, the former head of Soviet Counterintelligence. Produced by Simcha Jacobovici and Robert Topol.

Saturday, May 15 at 4:40 p.m.; Innis Town Hall, 2 Sussex Avenue, Toronto ON

SPECIAL EVENTS
CREATIVE MEETING WITH WRITER EDWARD TOPOL
Acclaimed Russian writer, screenwriter and producer Edward Topol talks about his latest novel Margaret's Brotherhood Known for his literary talent and his knowledge of Russia, Topol is the author behind bestselling literary works such as The Kremlin's Wife, The Red Square and Free Flight of a Single Blond Girls. Topol's The Red Square and The Minors have been made into films.

Sunday, May 16 at 4:30 p.m.; Bernard Betel Centre, 1003 Steeles Avenue West, Toronto ON

*Indicates this film has English subtitles

Toronto Russian Film Festival
Founded in January 2010, the Toronto Russian Film Festival (TRFF) is a Toronto-based not-for-profit organization dedicated to promote the art of Russian and Russian-language post-Soviet cinema in Canada. TRFF not only encourages professional exchanges between Canadian and Russian filmmakers, but also provides a platform for ongoing dialogue between the Russian communities in Toronto and Moscow and an arena to foster business opportunities between the two countries.
For more information, please visit: www.torontorussianfilmfestival.com.

- 30 -

Media Contact:
Hina P. Ansari
INAR PR
Tel: 416.568.4462
Email: hina@inar.ca

Friday, November 20, 2009

Russian Rock — "Not in Vain"

Photo: We'll never get older ...: Alexander Lipnitsky in conversation with Boris Bolero Roginsky at Toronto KinoArt Festival, November 12, 2009 @ Margret: documentary about history of russian rockPhoto: "We'll never get older ..." Alexander Lipnitsky
in conversation with Boris "Bolero" Roginsky
at Toronto Kino Art Festival, November 12, 2009 @ Margret
2009 @ artjunction.blogspot.com


Russian Rock — Not in Vain
By Boris "Bolero" Roginsky

Alexander Lipnitsky brought magic to Toronto last week. The Kino Art Festival featured several of his TV documentaries on the rock movement in the USSR in the 1970s and 80s. Those who came out to three screenings in the Samovar Room, the Regent Theatre and Margret Bar were in for a rare treat.

The ex-bass player with the Moscow band "Zvuki Moo" ("Moo Sounds"), Lipnitsky is currently the host of the Russian rock TV show "Yelovaya Submarina" (word play on the famous song by The Beatles, literally meaning the "Fir Tree Submarine") on the NOSTALGIA channel. Alas, it’s extremely difficult to get a hold of the show’s episodes in Toronto. Hence his arrival was an opportunity not to be missed by all those interested in the subject.

Back in the early 1960s (just like it was happening all over the world then), when the new wave of such Russian poets as Bulat Okudzhava, Vladimir Vysotsky, Evgeny Kliachkin, Andrei Voznesensky, Bella Akhmadulina, Robert Rozhdestvensky were awakening the social consciousness of the country, their "brother in arms", Evgeny Yevtushenko, wrote: "a poet in Russia is more than a poet".

Of course Yevtushenko was not talking only about his generation. Undoubtedly that line primarily served as a tribute to his "teachers" — Alexander Pushkin, Alexander Blok, Vladimir Mayakovsky, Anna Akhmatova, Osip Mandelshtam, Boris Pasternak. And yet, most likely hoping for their appearance, he was probably dedicating his words to the future "young punks" as well, sending them a message. Quite possibly, those who wanted to see it that way might have received it. In all fairness however, the English term "young punks" ("molodaya shpana") should be perceived as a rather approximate translation of what Boris Grebenschikov would later use as a song title on Aquarium’s "Blue Album" (the 1981 release frequently considered to be the first conceptual rock album in the USSR).

And so 15-20 years down the road the new wave, brought up on the eclectic mix of their Russian predecessors’ poetry and songs, Western jazz and rock’n’roll as well as Eastern philosophy, rose and caught the souls of literally millions in what used to be the largest country in the world.

Lipnitsky’s documentaries are priceless because they are largely the only existing video testimonials of those incredible times when so much sublime energy found its receivers who transmitted it in the form of songs, works of art and theatre happenings. They contain performance footage, shot with hand-held home movie cameras, avant-garde experiments of young rebellious film makers and artists, contemporary interviews with some of those who witnessed those events, made them happen and continue to create today. Many others, however, have already passed away.

Now, a week later, I vividly recall as mesmerized spectators watch Alexander Bashlachev singing "Vanusha" (hypocorism for "Ivan") on the wall of the Dundas St. West bar. They listen to his fierce, tender, honest voice and guitar. The song ends. Many of those present burst into applause. I realize — that performance took place in a St. Petersburg apartment in front of several people almost a quarter of a century ago. Bashlachev took his own life just a short while later in 1988. And yet his songs still affect listeners on the other side of the world after so many years.

Nowadays there are disillusioned voices, expressing apprehension that a lot of things were a waste of time. That nobody needed them then and surely nobody needs them now. That we were, as Viktor Tsoi sang, "waiting for changes", but the current changes in Russia are a far cry from the hopes of that Russian rock generation of 20-30 years ago. That, rather amateur and unprofessional but nonetheless very honest and pure, rock movement, raised on the shoulders of self-sacrificing enthusiasts and idealists, succumbed to the machine of commercialism in contemporary Russia.

While the latter statement may be true, it is still not the reason to discard everything positive and wonderful that was born in that largely underground environment. What is given to all sorts of creators around the world comes to them from eternity, where our political systems, social orders and all sorts of mundane everyday passions are nothing but grains of sand. It is up to those creators to decode what they receive and to present it to the world, hopefully enriching the latter. Their ideals and the information they are trying to convey are bigger than all the political systems put together.

But those, who see in artists, musicians, actors nothing but a bunch of screwed up alcoholics, drug addicts and psychopaths, please try to realize that we are all human beings, each with our own sins to repent of. However it is up to us, as spectators, viewers and listeners, to see the light in what is presented to us, to be inspired by it and to make the world better.

Everything passes and that period, snippets of which Lipnitsky brought to Toronto, passed as well. The important thing is not to lament our broken dreams and the "good old days". As Grebenschikov sang on that very "Blue Album" in the "Railroad Water":

"I was writing these songs at the end of December
Naked, in the snow, under the light of the full moon.
But if you hear me now
It was not in vain."

Indeed it was not and it will never be.

2009 © Boris "Bolero" Roginsky
Nov. 19, 2009. Toronto

Photo: Toronto KinoArt Festival screening of Alexander Lipnitsky's documentary about history of russian rock at margret, november 12, 2009Photo: Toronto KinoArt Festival screening of Alexander Lipnitsky's
documentary "The History of Russian Rock" at Margret Bar, November 12, 2009
2009 @ artjunction.blogspot.com

Wednesday, November 11, 2009

Free Screening of Documentary on History of Soviet / Russian Underground Music at Margret

ArtJunction Poster: Alexander Lipnitsky's film History of Soviet / Russian underground rock music Margret Bar / Lounge West Toronto Junction , November 12, 2009Poster: Alexander Lipnitsky's film on the history of Soviet / Russian underground music
at Margret Bar /Lounge, November 12, 2009 @ 6 - 9 pm
Credit: www.kinoartfestival.com
www.nostalgiatv.ru



KinoArt Festival "For the Love of Russian Film, Music and Art"
Invites You to a FREE Screening of

Alexander Lipnitsky's Documentary Film
The History of Russian Rock
Q&A follows, director in attendance

Journalist and musician Alexander Lipnitsky will introduce his series of television programs about the main heroes of Russian rock music in the 80's:

When: Thursday, November 12, 2009
Time: 6 pm - 9 pm

Where: Margret bar / lounge for the Junction
2952 Dundas Street West, Toronto ON
(just East of Pacific Avenue)
There is ample street parking on Dundas St. West
Green P parking info

Via TTC:
from Dundas West Stn: Junction bus #40 at Pacific Ave.,
from Keele Stn: Keele bus #41 & Weston bus #89 at Dundas St. West
from High Park Stn: Lambton bus #30 at Dundas St. West

www.facebook.com/margretondundas
www.margretondundas.com
416 762 3373




View Larger Map

Hope to see you there!

kinoartfestival.com

links:
kinoartfestival.com: Alert – Screening of Documentary
Screening of Alexander Lipnitskiy’s documentary on the history of Soviet/Russian rock music will take place on Thursday, Nov.12th, from 6:00 pm to 9:00 pm, at Margret Bar.
KinoArt Festival: Russian Rock Music Retrospectives with Alexander Lipnitsky

Thursday, November 05, 2009

KinoArt Festival: Russian Rock Music Retrospectives with Alexander Lipnitsky

Second KinoArt Festival in Toronto, November 5-8, 2009

KinoArt Festival Alert – Screening of Documentary

Screening of Alexander Lipnitskiy’s documentary on the history of Soviet/Russian rock music will take place on Thursday, Nov.12th, from 6:00 pm to 9:00 pm, at Margret Bar.


Alexander Lipnitsky @ the Toronto's Kino Art Festival
"For the Love of Russian Film, Music and Art"

[ V ] Friday, November 6, 4:30 - 6:00 pm

Panel discussion on the past, present, and future of Russian cinema

Munk Centre for International Studies
1 Devonshire Place, Toronto - 416-946-8900


[ V ] Saturday, November 7, 3:00 – 6:00 pm

Documentaries about AQUARIUM and ZVUKI MU

Club Samovar
51 Winchester St, Toronto - 416 925 4555


[ V ] Sunday, November 8, 8:30 – 9:30 pm

Documentary about legendary Russian rock group KINO
Kino had a major role in the film ASSA

Regent Theatre
551 Mt. Pleasant Road, Toronto 416 489 8484

Club Samovar
51 Winchester St, Toronto - 416 925 4555


Alexander Lipnitsky in His Own Words

From 1983 to 1990, I was a bass guitarist with the "Moo Sounds". Among the band’s biggest achievements was our album, produced by Bryan Imo and recorded at London’s OPAL RECORDS STUDIO. The album sold 3500 copies in Europe and USA in 1989. I also played at Serious Fun Festival. Together with a California band The Residents we performed at NY Lincoln Center. I participated in several documentary films screened in France, Italy, Germany, USA, and USSR.

During 1990-2009, I was a producer of the following bands: ATAS, BIOSINTEZ, SHATEN KINGS, and Upstairs.

As a journalist of SOVETSKAYA KULTURA (Soviet Culture), I covered USSR jazz festivals during the 70’s. In the 80’s, I published in the following underground magazines: SMORCHOK, SELF, SDVIG, etc. During 1994-2009, some of my articles were published in the Playboy and Rolling Stones.

My TV career was launched in 1991 with an hour film VICTOR TSOY: SUNNY DAYS.

I worked with Joanna Stingray on her TV project RED WAVE 21 and created a number of TV programs about famous rock musicians from Russia and the West, including stories about The Doors and Boris Grebenshchikov. The latter featured in a documentary titled “40:0 in Grebenshchikov’s Favor,” produced in 1993.

In 2006, my own TV show, Yellow Submarine, premiered on NOSTALGIA cable channel. The show is dedicated to the history of Russian rock music.

To the audience of Toronto KinoArtFestival I will offer a program consisting of my TV documentaries on the key figures of Russian rock-music, such as Alexandr Bashlachev, Sergei Kurekhin, Alexei Khvostenko, AUKTSYON band, Moo Sounds, KINO, AQUARIUM and ZOO, with introductory remarks in English.

My motto is to play a fair game and show the truth, without using special computer effects. For my projects, I use newsreels and find people who, in my opinion, are well worth mentioning as part of the Russian rock music history.


Google Books: Noise of the world: non-western musicians in their own words
"ALEXANDER (SASHA) LIPNITSKY | ZVUKI MU Zvuki Mu is one of the few rock bands qua rock band featured in this book, for similar reasons to Tribe After Tribe. ..."
by Hank Bordowitz - 2004 - Music - 381 pages

links:
Free Screening of Documentary on History of Soviet / Russian Underground Music at Margret

mp3.com: Zvuki Mu

wikipedia.org: Russian rock

wikipedia.org: Legends of Russian Rock

digitaljournal.com: KinoArt Russian Festival Opens in Toronto Thursday
"In recent years, he created a series of television programs on the main heroes of Russian rock in the 80's. Itself in many ways a symbol of the era, Lipnitsky is now considered one of the most competent of Russian rock historians."
by Lenny Stoute

kuryokhin.letov.ru: SERGEY KURYOKHIN: uncivil engineering
Sergey Kuryokhin and his popular mechanics give performance art soviet twist
by Michael R. Benson

80sretromusic.com: Zvuki Mu
"Led by singer, songwriter, poet, actor, and all-around artistic troublemaker Pyotr Mamonov, Zvuki Mu was one of the few bands of the so-called "Russian Revolution" in late-'80s pop music that merited more than a casual glance from Western audiences. (As opposed to bands like the remarkably dull hard rockers Gorky Park.) Formed in 1981 by Mamonov, who was already a published author in his early 30s, Zvuki Mu (literally "sounds of moo," an absurdist name that suits Mamonov's playful lyrical style) performed increasingly above-ground gigs in Russia and Eastern Europe throughout the '80s ..."
Curtis Zimmermann, All Music Guide

yakutiatoday.com: Stepanida Borisova: World-famous but still unknown
"I remember Sasha Lipnitsky gave a concert in Moscow suburb, on Nicolina Gora. One of the life's brightest musical impressions! And not only musical – do you remember Zhanna Aguzarova came into your dressing room and said: Stesha, you are a great singer; I can tell you that as another great singer".
Interviewed by Irina Efimova, Vecherka.Ykt.Ru
Translated by Alexandra Markova, a Yakutsk State University student

Wednesday, November 04, 2009

The Second Kino Art Festival Launched Today at Toronto's Samovar Room

Media Conference: KinoArt Festival:
For The Love of Russian Film, Music and Art

Introducing Russian Director Sergey Solovyev
and Lead Actress Tatiana Drubich,

and announcing the North American premiere of Anna Karenina
and
other film and documentary highlights.
November 4, 2009 at Samovar Room
Credit: www.kinoartfestival.com

The Second Toronto Russian Film Festival is happy to inform you that today the 1st press conference took place at the club "SAMOVAR"!

The conference was dedicated to the main festival's film Anna Karenina. The director of the film Sergey Solovyev and the leading actress Tatiana Drubich took part in the event. Press conference was opened with speech of the festival's director Alla-Ani Poliakova.
Welcome to KinoArt Festival 2009, the 2nd Russian Film Festival in Toronto, which starts on Thursday, November 5th, and runs until Sunday November 8th. My name is Alla-Ani Poliakova and I’m the Director of KinoArt Festival. Sitting next to me is Russian director Sergei Solovyev, Russian lead-actress Tatiana Drubich, Project Coordinator of KinoaArt Festival, Luba Shmygol and publicist for the festival, Vitaly Gurevich.

We are very excited to bring Toronto this event, with our goal always being to chronicle the evolution of Russian cinematography of past and present. This year we are thrilled to be offering the most impressive feature films, documentaries, animations and shorts, some never before seen.

Our program this year includes a new and groundbreaking North American premier of Anna Karenina, a documentary on the Moscow underground called Metro, a 2008 Russian box-office hit We are From the Future, as well as other amazing selections such as Taras Bulba, Morphine, and Yuri's Day.

New to this years’ lineup, we will have a panel discussion with Thomas Lahusen, Professor of Eurasian Cultural History at the University of Toronto and documentary filmmaker, together with Sergei Kapterev, senior researcher at the Institute of Film Art in Moscow, discussing the present, past, and future of Russian cinema.

The KinoArt Festival 2009 would like to thank our Sponsors, whose help and generosity has made this years’ lineup one to remember. Canada Heritage, Ontario Ministry of Tourism, Steam Whistle, United Stars, Torontovka, The West East Newspaper, Brunello Imports, Finn-Tastic, University of Toronto’s Slavic Languages & Literatures Department, The Ethnic Channels Group, NexTV, Russian Waves, Express Gazeta, Mix TV, Torontovka.com, Nasha Gazeta, and of course the Samovar Room, who have provided us with this exquisite room for the Media Conference.

I would like to introduce to you prolific Russian writer and director Sergey Solovyev, who is bringing not just one, but three great films to Toronto for KinoArt. Along with one of the most recognized Russian actresses, Tatiana Drubich, Mr. Solovyev has brought to life one of the best Russian novels of all time, Anna Karenina, which was also filmed in Leo Tolstoy’s birth-place. Along with Anna Karenina, Mr. Solovyev is bringing Toronto his 80’s cult-classic film Assa, and the long-awaited sequel Assa 2.

It is my privilege to introduce you to Russia’s most distinguished and sought-after leading actress Tatiana Drubich, who plays the lead role in the North Premier of Anna Karenina.

Once again, thank you for joining us today for the launch of the 2nd KinoArt Festival and if you require further information about the Festival, please visit us online at www.kinoartfestival.com

Alla Ani Poliakiva,
Director of The KinoArt Festival

Press-Release: The Second KinoArt Festival in Toronto November 5 – 8 for The Love of Russian Film, Music and Art
KinoArt Festival: Media Alert!! Conference November 4 at Samovar Room
picture.belga.be: KINOART
[Check a great photo coverage of the media conference taken by Dominic Chan/WENN.com]

Tuesday, November 03, 2009

KinoArt Festival: Media Alert!! Conference November 4 at Samovar Room

Poster: Media Conference: KinoArt Festival: For The Love of Russian Film, Music and Art, Toronto, Canada, November 4, 2009 Poster: Media Conference: KinoArt Festival:
For The Love of Russian Film, Music and Art

November 4, 2009 11:00 am at Samovar Room
Credit: www.kinoartfestival.com

KinoArt Festival – Media Alert!! – Conference November 4

***** MEDIA ALERT *****

October 30, 2009 – Toronto, ON

All media are invited

KinoArt Festival
For The Love of Russian Film, Music and Art

presents

Media Conference Introducing Russian Director Sergey Solovyev and Lead Actress Tatiana Drubich, and announcing the North American premiere of Anna Karenina and other film and documentary highlights.

WHO: Director Sergey Solovyev and Lead Actress Tatiana Drubich.

WHAT: Introducing them to Toronto Media and hearing stories on the making of the film. The Conference will also serve as a platform to announce other films, documentaries, animations and shorts showcased at the 2nd KinoArt Festival.

WHEN: Wednesday, November 4, 2009. Informal greetings at 10:30, conference begins promptly at 11 a.m.

WHERE: Samovar Room – 51A Winchester Street, Toronto ON http://j.mp/3JUfKZ

WHY: This Media Conference is a rare and intimate opportunity to meet first-hand, face-to-face one of Russia’s most prolific director and writer Sergey Solovyev and one of Russia’s most distinguished and sought-after leading actress Tatiana Drubich.

www.kinoartfestival.com

All media are invited.
For more information, get GAT:
Vitaly Gurevich | 416.888.3744 | vitaly@gat.ca
Ingrid Hamilton | 416‐731‐3034 | ingrid@gat.ca


Press-Release: The Second KinoArt Festival in Toronto November 5 – 8 for The Love of Russian Film, Music and Art

Kino Art Festival Toronto, November 5 - 8, 2009, poster, artjunction.blogspot.comPoster: Second Kino Art Festival Toronto
November 5 - 8, 2009

Saturday, October 31, 2009

The Second KinoArt Festival in Toronto November 5 – 8 for The Love of Russian Film, Music and Art

Screenshot: KinoArt Festival in Toronto, November 5 – 8, 2009
Credit: kinoartfestival.com

KinoArt Festival
For The Love of Russian Film, Music and Art

Russian Directors Restake Claim to Their Classic Literature

with North American Premieres of

Anna Karenina and Taras Bulba

at the 2nd KinoArt Festival

running November 5 – 8 in Toronto

www.kinoartfestival.com
www.gat.ca

For Immediate Release

(October 30, 2009 – Toronto, ON) – Western filmmakers have had their turns. Now new, groundbreaking, culturally-authentic versions of Anna Karenina and Taras Bulba will be on offer at the second KinoArt Festival.

The Russian Film Festival, which runs in Toronto from Thursday, November 5th, until Sunday, November 8th, 2009, will also offer Russophiles a long-awaited sequel to Assa, the film that galvanized the underground Russian rock scene back in 1987. Also featured is the North American premiere of Metro, a stunning and unique documentary on the monumental Moscow subway, the first film of its kind to cover this subject. As well, there’s the 2008 Russian box-office hit We are From the Future, Andrei Maliukov’s time-traveling adventure that takes place in St. Petersburg during the fierce defense of the city in 1942.

After a successful launch in 2007, KinoArt Festival is back and this year brings with it the massive premiere of Anna Karenina along with legendary Russian director Sergey Solovyev and actress Tatyana Drubich. Solovyev’s version of the Leo Tolstoy’s epic love story will turn heads and provoke cinematic debate.

"We are very excited to bring Toronto our second KinoArt Festival," says Alla-Ani Poliakova, Founder and Executive Director of the Festival. "Our goal has always been to chronicle the evolution of Russian films, past and present through our film event, and this year we are really thrilled to be offering the most impressive feature films, documentaries, and shorts, some never before seen, and bring that to North America, specifically Toronto."

Other highlights at KinoArt include director Kirill Serebrennikov’s Yuriev Den, about a famous opera singer, which won the Grand Prix at Warsaw International Film Festival in 2008.

Making its debut in Toronto is Taras Bulba, directed by renowned director Vladimir Bortko it is based on the book by Nikolai Gogol (called "one of the 10 greatest books of all time" by Ernest Hemingway). Famously embraced by Hollywood as a starring vehicle for the late Yul Brynner, it’s an enduringly controversial story about Ukraine's Cossack warriors and their campaign to defend their lands from the advancing Polish armies.

From the notorious Russian director Alexei Balabanov, comes Morphine, his interpretation of Mikhail Bulgakov’s A Country Doctor's Notebook. The film’s screenplay was written by another famous Russian director, Sergei Bodrov, Jr. This joint effort recounts the events of 1917, the turbulent year of the Russian Revolution.

Shultes takes the audience on an existential voyage to Moscow, into the heart of Russia’s capital. The film is shown through the eyes of an ordinary Muscovite, who lives in an ordinary apartment building somewhere on the outskirts of the city, alone. His only connection to reality: his notepad.

The Festival closes with a searing documentary, Process directed by Alexander Zeldovich and devoted to the anniversary of the 1952 execution of the Jewish anti-fascist committee of the former U.S.S.R. Process, co-presented by the Jewish Film Festival, will be followed by a Q&A.

The same evening, visiting director Sergey Solovyev (Anna Karenina) will screen Assa – a Russian cult favourite from the late 80’s. His original film gave voice to the underground rock music scene, with the lead played by the charismatic rocker Victor Tsoy (the film’s soundtrack features a number of songs performed by a variety of Russian rock singers). Following the screening of Assa, after a wait of 22 years, will be the North American premiere of the sequel Assa 2. Solovyev’s sequel portrays the new generation in contemporary Russia, within a complex structure that references Solovyev’s own Anna Karenina.

Of note, Thomas Lahusen, Professor of Eurasian Cultural History at the University of Toronto and documentary filmmaker, together with Sergei Kapterev, senior researcher at the Institute of Film Art in Moscow, will participate in a panel on the present, past, and future of Russian cinema on November 6. Some of the questions raised will be the politics of documentary film, the problem of film exhibition and preservation, and the relevance of the Soviet cinematic experience to contemporary Russian and world cinema.

Following the panel discussion, a stunning debut will occur - the world premiere of Their Kingdom, a 1928 documentary from Soviet Georgia presented by Sergei Kapterev, with a post-screening Q&A. The film, by Mikhail Kalatozishvili, had been considered lost until its first two reels were discovered at Russia’s State Film Archive. Sergei Kapterev holds a Doctorate in Cinema Studies from New York University and is the author of the book Post-Stalinist Cinema and the Russian Intelligentsia, 1953-1960.

Also, Lahusen will present his own two short films; The Province of Lost Film and The Photographer at KinoArt on November 7.


Tickets can be purchased at the Venues night of screening
And www.torontovka.com (in Russian)

Gala Opening: $20 Adults, $12 Students and Seniors - includes Gala Post Reception
Main Program: $12 Adults, $10 Students and Seniors

Isabel Bader Theatre
93 Charles Street West
Tel: 416.585.4523

Regent Theatre
551 Mt. Pleasant Road
416.489.8484

Slavic Department at University of Toronto
121 St. Joseph Street
Tel: 416.926.2075

The following list outlines KinoArt Festival 2009’s sponsorship line-up:
Ministry of Tourism; Canada Heritage; U of T Slavic Department; United Stars; Brunella; Steam Whistle; Finn-Tastic; Ethnic Channel Group; Next TV; Tokmakov TV; Torontovka.com; West East Newspaper; Express Gazeta; Mix TV; Nasha Gazeta

-30-

For more info, to request screeners, to set up interviews, get GAT:
Ingrid Hamilton ingrid@gat.ca h/o: 416-482-6142 c: 416-731-3034
Vitaly Gurevich vitaly@gat.ca c: 416-888-3744


AcademiaRossica
3rd Russian Film Festival, 30 October — 8 November 2009
Apollo Cinema. London, Tel. 0871 220 6000
More information on http://academia-rossica.org

links:
russianfilmweeknyc.com: 9th Annual Russian Film Week NYC November 2009
kinoglaz.fr: 17th Honfleur Russian Film Festival (France) - 25 - 29 November 2009
wikipedia.org: Cinema of Russia
ng.ru: "Анна Каренина" без Анны Карениной
Екатерина Барабаш, Санкт-Петербург-Москва
kp.ru: Татьяна ДРУБИЧ: Сегодня самоубийство Анны Карениной сочли бы глупостью
Анастасия ПЛЕШАКОВА
eg.ru: Промо-ролик нового фильма Сергея Соловьёва «Анна Каренина»